• Address

    Abegg-Stiftung, Werner Abeggstrasse 67, Postfach, CH-3132 Riggisberg, Switzerland, Telephone: 0041 (0)31 808 12 01, Fax: 0041 (0)31 808 12 00, info@abegg-stiftung.ch

    Opening hours

    Daily 2 pm to 5.30 pm

    Permanent and special exhibition

    30 April to 12 November 2023

    Villa Abegg

    30 April to 12 November 2023, daily in the afternoon, advance reservation by telephone recommended

    Getting here by car

    Motorway A6, exit Rubigen/Belp, free car park available

    Getting here by public transport

    Regional train to Toffen, postbus from Toffen to Riggisberg

Villa Abegg The Founders’ Private Home is now a Museum – Guided Tours by Appointment, Daily from 30 April to 12 November 2023

When the Abegg-Stiftung was founded in 1961, Werner and Margaret Abegg already had plans to open their home to the public at some future date. In both period and theme, the Villa Abegg was intended to complement and augment the institute’s collections. Architecturally, the villa completed in the late 1960s follows the North Italian Baroque, as represented by the school of Filippo Juvara (1678 – 1736). The formal gardens and fountains belong to a similar tradition. The reception rooms on the ground floor are appointed with historical wall panelling, chandeliers and furniture, and decorated with paintings, sculpture and tableware. The Villa Abegg nevertheless retains the character of an inhabited home that visitors may visit, rather like invited guests, in small groups only.
Every year, these guided tours of the villa single out a different work of art or group of objects for attention.

Brass Candlesticks from Nuremberg Nuremberg was one of the most important centres for the manufacture of brassware in the fifteenth century. Its production ranged from the tiniest objects of use to extremely heavy candlesticks and candelabra. Two such pairs of candlesticks will be presented on this year’s tour of the villa. │ Brass candlestick; Nuremberg, 15th century; inv. no. 8.141.66

Renaissance furniture and works of art The dimensions of the “Renaissance Room” containing furniture, paintings, sculpture and fine craftsmanship from the fifteenth and sixteenth century were defined by the Spanish painted wooden ceiling dating from c. 1500.

Spacious Entrance Hall The interior architecture of the hall in Northern Italian Baroque style quotes the grand staircase of Palazzo Madama in Turin. The inlaid marble floor finds its model below the arcades of the Doge’s Palace in Venice.

Memories of Venice Painted Venetian commodes, tables and chairs revive the eighteenth century. The furniture of this room also includes a mirror and a chandelier of coloured glass.

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